THE PRINT
Issue 01 · Act IV · The Human
Essay

Somebody Knows Something

A chart is a record of other people's decisions. We are built to read it as a message.
Pages 90–944 min readRead in the magazinePDF

Look at the six lines on page 92 before reading on. Each shows three days of a price, sampled every few minutes. One of them is bitcoin between 13 and 15 September, from our own oracle. The other five were made by a com­puter tossing a coin: each step up or down is random, sized to match the real series. Try to pick the real one.

Most people cannot, and the ones who can usually cannot say why. Every line has trends, rever­sals, shelves where it rested, spikes that look like news. The random ones have them too. They have to: that is what ran­dom­ness looks like when you draw it.

We see faces in clouds

The human habit of finding mean­ing­ful pat­terns in noise has a name, apophe­nia, and in markets it has a long paper trail. In 1959 the statis­ti­cian Harry Roberts pub­lished a short article in the Journal of Finance showing that series built from random numbers produce the same head-and-shoulders for­ma­tions and support levels that chart readers were selling as signals. The article did not stop anyone. The pat­terns are too per­sua­sive to give up because a statis­ti­cian gen­er­ated some.

The science of streaks is humbler than either side of the argu­ment would like. In 1985 Thomas Gilovich, Robert Vallone and Amos Tversky ana­lysed bas­ket­ball shoot­ing and con­cluded that the hot hand, the belief that a player who has hit several shots is more likely to hit the next, was an illu­sion. Three decades later Joshua Miller and Adam Sanjurjo showed that the orig­i­nal method con­tained a subtle sta­tis­ti­cal bias, and that cor­rected, the data suggest a modest hot hand after all. Streaks are neither always real nor always false, and careful experts misread them, in both direc­tions, for thirty years.

Market makers do not need to find the informed trader. They only need to price the pos­si­bil­ity.

Sometimes some­body does know some­thing

The feeling that a move means some­thing is far from stupid. Sometimes it is exactly right. Markets contain people who know more than others: about a company, about a large order that is coming, about a reg­u­la­tor's deci­sion. Economists model it directly. In Albert Kyle's 1985 model an informed trader hides their buying inside ordi­nary noisy flow, and a market maker, unable to tell which orders are informed, moves prices against all of them a little.

A man looks up at a mountain whose cliff looks like a face

That is what page 55 of this issue shows from the other side. Nineteen mil­lisec­onds after a burst of buying on Bybit, the spread there went from ten cents to $12.80. Whoever was quoting did not know whether the buyer knew some­thing. They behaved as if they might. Market makers do not need to find the informed trader. They only need to price the pos­si­bil­ity, and that pos­si­bil­ity is part of every spread you cross.

Somebody usually does know some­thing. The trouble is that the price alone cannot tell you which moves carry infor­ma­tion and which are the coin landing heads four times in a row.

Story, then flow, then price

Most of the time what moves a price is a story. The econ­o­mist Robert Shiller has argued that nar­ra­tives spread through a pop­u­la­tion much as epi­demics do, and that their spread changes what people do with money. A story becomes flow when enough people act on it. Flow becomes price when there is not enough on the other side of the book.

From the magazinePage 92 →
Data · a test
Which one is real?
Six paths over three days at the same sampling. One is bitcoin from our oracle, 13 to 15 September. Five are random walks with steps drawn to the same size. Pick before you read the source line.
ABCDEF
Five paths CALCULATED: log-normal random walks, step deviation 0.114% per interval matched to the real series, fixed seed · one path OBSERVED: our oracle's WBTC marks, 818 points · the real one is D

In January 2021 a story about a heavily shorted video game retailer spread through an online forum. Shares of GameStop, which began the month under $20, traded as high as $483 on 28 January. That morning several retail brokers restricted cus­tomers from buying more. The price fell by more than half within days. Nothing about the company's shops had changed during those weeks. The story, the flow and the book had.

The number you saw first

Patterns are one trap. The price we already know is another. In a 1974 exper­i­ment Amos Tversky and Daniel Kahneman spun a wheel of fortune, rigged to stop at 10 or at 65, in front of their sub­jects, then asked what share of African coun­tries were members of the United Nations. The wheel had nothing to do with the ques­tion. Those who saw 10 gave a median answer of 25%. Those who saw 65 said 45.

Markets are full of wheels. The price you bought at, last year's high, a round number on a screen: each one pulls the next judge­ment towards itself. In 1998 Terrance Odean fol­lowed about 10,000 accounts at a dis­count broker and found that investors sold shares that had risen since pur­chase far more readily than shares that had fallen. The winners they sold went on to beat the losers they kept by 3.4 per­cent­age points over the fol­low­ing year. The pur­chase price was infor­ma­tion about the investor. They treated it as infor­ma­tion about the share.

Page 11 asks five ques­tions of every number, and one of them is how old it is. The price in your head is the oldest number in the room, and the only one that feels like yours.

A man with a megaphone on a box leads a long winding queue towards a market stall

What the pat­terns cost

Acting on pat­terns is expen­sive in a way that is easy to measure. In a study of more than 66,000 American bro­ker­age house­holds from 1991 to 1996, Brad Barber and Terrance Odean found that the fifth who traded most earned an average net return of 11.4% a year, while the market returned 17.9. Their trades were not all wrong. They were numer­ous, and each one paid a spread and a com­mis­sion, the same arith­metic that page 40 of this issue shows for a small order in a thin book.

Nobody can stop seeing pat­terns. The defence is to ask, before acting on one, what it would look like if it were noise, and to remem­ber that page 92 is the answer to that ques­tion.

A price is where stories meet money. The chart records the meeting. It does not explain it.